In 1917, he moved to Paris. Since he only had a few architectural commissions at the time, he spent much of his time painting, producing mainly still lifes.

In 1919, Le Corbusier joined the painter Amédée Ozenfant and the poet Paul Dermée to found the journal “L’Esprit Nouveau”, in which he first began using his pseudonym in 1920.

In 1922, Le Corbusier produced an urban planning concept for a Ville Contemporaine – a “contemporary city with a population of three million”. In 1925, he collaborated with his cousin Pierre Jeanneret on designing a two-storied pavilion for the Exposition Internationale des Arts Décoratifs in Paris. The avant-garde architecture of that pavilion was complemented by furnishings of functional design and paintings by Le Corbusier, Ozenfant, Fernand Léger, Jacques Lipchitz and others.

By 1927, Le Corbusier was among the leading practitioners of the New Architecture designing the housing for the Wei?enhof Settlement in Stuttgart. From 1927, he collaborated with Pierre Jeanneret and Charlotte Perriand to produce designs for functional furniture – including the LC4 chaise longue – which they showed at the 1929 Paris Salon d’Automne.

Around 1942, he formulated his “Modulor” theory, which was Le Corbusier’s term for a system of proportion based on the Golden Mean that he used in his architectural designs, especially in his large-scale urban planning projects. Intended to facilitate architecture on a human scale based on an objective system, the Modular still remains one of the most controversial of Le Corbusier’s theoretical approaches to architecture.

Le Corbusier also made substantial contributions to architecture theory as a co-founder of the Congrès International d’Architecture Moderne (CIAM), which first convened in 1928. In 1952, the first Unité d’Habitation was finished in Marseilles, followed by further modular residential units in other locations. Le Corbusier designed the pilgrimage chapel of Notre-Dame-du-Haut at Ronchamps in 1955.

Le Corbusier died in 1965 in Roquebrune-Cap-Martin.

Designer Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Year 1928
Armchair with light blue glossy enamelled frame. Cushions with padding in feather, natural leather upholstery outside and flax inside.
Special edition, limited at 500 pieces.
Armchair with two arm-rests and armchairs with left or right arm-rest, two- or three-seater sofas with polished chrome plated or glossy basalt, grey, light blue, green, bordeaux and ochre or mat black enamel steel frame.
Loose cushions with polyurethane foam and polyester padding or padding in feather with polyurethane core.
Leather or fabric upholstery.